Home
Search
Login
Register
Show Posts
1
Welcome / The language that pervades and covers me
« on: September 10, 2023, 07:42:42 pm »
The sex appeal of the inorganic has been the subject of reflections in various fields of literature, sociology, even cinema, as well as the basis of the entire cyber subculture. But George Battailles also tries his hand at discovering the life, so to speak, of the object and its drive elements, taking up, like Benjamin, also a whole series of conceptions by Karl Marx on Capital, on the "inorganic capital which absorbs , without rest, the life force of individuals" 9 . Telegram Adv Media Lab Back to index Postmodern aesthetics.
Between paganism, tribalism and cyberpunk Phone Number List Others of these reflections have been expressed by the sociologist Mario Perniola, in his The sex appeal of the inorganic (1994) , which takes up the term used by Benjamin . For Perniola all postmodern reality is a continuous erotic drive, in which the orgasm is never reached, the return of Onan, as Michel Maffesoli would say 10 , but without the emission of semen. As we have seen on other occasions Maffesoli will speak of a return of paganism in our age 11 , a return of the creative.
Dionysian, natural, erotic impulses. For Perniola this base mixes, "hybridizes" itself, with the whole world of technology, design, cyber scenarios , imbued with a certain erotic-fetishistic charge: " the sex that penetrates me and wears me, the mouth that sucks and undresses me, everything is a vestimental metaphor (…) The folds of the female sex are no different from the hollows in the fabric of the seat, the skin that runs along the shaft of the male sex is similar to the cover of the armres.
Between paganism, tribalism and cyberpunk Phone Number List Others of these reflections have been expressed by the sociologist Mario Perniola, in his The sex appeal of the inorganic (1994) , which takes up the term used by Benjamin . For Perniola all postmodern reality is a continuous erotic drive, in which the orgasm is never reached, the return of Onan, as Michel Maffesoli would say 10 , but without the emission of semen. As we have seen on other occasions Maffesoli will speak of a return of paganism in our age 11 , a return of the creative.
Dionysian, natural, erotic impulses. For Perniola this base mixes, "hybridizes" itself, with the whole world of technology, design, cyber scenarios , imbued with a certain erotic-fetishistic charge: " the sex that penetrates me and wears me, the mouth that sucks and undresses me, everything is a vestimental metaphor (…) The folds of the female sex are no different from the hollows in the fabric of the seat, the skin that runs along the shaft of the male sex is similar to the cover of the armres.